I’m a product manager in London focused on gaming and entertainment. Currently, I'm working on Samsung’s Mobile Gaming Hub in Europe, previously I explored motion-gaming products at Comcast-Sky.Â
I care about player experience, partnerships, and shipping products people actually want to play. This site is where I share selected work and personal experiments at the intersection of AI and product management.
Role: Producer/ Product Manager
Context: 1st-party development on Sky Live (Proprietary Interactive camera by Sky TV)
As Producer / Product Manager for Alien Invasion, Sky’s first-party title on Sky Live, I led a squad of designers and engineers to build a remote-controlled motion game that leveraged Sky’s interactive camera hardware. I owned the product vision and backlog, ran Agile delivery, and partnered with design on the UX of camera-based “Active Play” — turning living-room movement into responsive in-game control for launch on a brand-new platform.
Role: Solo Product Manager & Developer
Context: Mobile Side Project (Exploratory Product Design & Technical Spike)
Tools Used: Cursor IDE, Gemini (API Context & Strategic Brainstorming), OpenWeatherMap API, Tailwind CSS.
Traditional weather apps are utility-driven and sterile: "Partly cloudy, 14°C." However, climate and environmental factors have a direct, documented impact on human psychology and daily energy levels.
Mood Weather was built to bridge this gap. It is a mobile web app that combines hyper-local, practical weather data with an emotional forecasting engine. The goal was to validate a unique product concept: emotional weather data—translating barometric pressure, UV indexes, and cloud cover into actionable, psychological "vibe forecasts" that help users plan their day around their mental well-being.
Role: Solo Developer / Product Manager
Context: Personal Technical Spike (Exploring AI-Orchestrated Development Pipelines)
Tools Used: Cursor IDE (Composer 2.5), Gemini (Image Generation & Multi-modal Context), Paint.NET, Suno AI.
Pixel Punch is a functional 2D retro-style fighting game built to explore the limits of modern "vibe coding" workflows. The goal was to scaffold a robust gameplay engine from a blank workspace and establish a repeatable asset pipeline—combining code generation, image asset synthesis, and procedural audio—into a cohesive, playable build.
